MADISON HATTEN
Learn more about Madison's extensive vocal experience, non-musical interests, and access her publicity materials.
Hailed for her “exquisite voice” and “a joy to behold”, Madison is most recently recognized for her debut as Mimì in La bohème (Northern Light Music Festival) and her Mozartian trio as Donna Elvira in Don Giovanni (Boston Opera Collaborative), Countess Almaviva in Le nozze di Figaro (Janiec Opera Company), and Fiordiligi in Così fan tutti (Boston Conservatory Opera) where she revealed “her fine sense of pitch that gave unusual accuracy and delicacy to her coloratura possibilities” while exuding "an exciting physicality in her performances". Notable roles in Madison's repertoire also include Michaëla in Carmen, Frau Fluth in Die Lustige Weibe von Windsor, and the title role in Tchaikovsky's Iolanta (cover). She will be making her debut with Opera San Jose this season as Judith (cover) in Bluebeard’s Castle (Bartok).
Madison has been most recently heard in the concert hall as a frequent featured soloist with Tahoe Symphony for works including "Sempre libera" from La Traviata (Verdi), Frühlingstimmen (Strauss), Messiah (Handel), and Ein deutsches requiem (Brahms). Beyond her local performances, she has thoroughly enjoyed her recent collaborative recitals featuring a variety of classical repertoire in Napa Valley, CA to Reno, NV and Boston, MA.
An educator and advocate, Madison is passionate about inducing positive change in the classical music industry and volunteers her time with the Soloists Collective for Emerging Artists (SCEA) and The Tahoe Symphony.